CLICK PIECE TITLE FOR RECORDING
Orchestral
A laboratory of human possibilities for Orchestra (2024)
Sesquialtera for Orchestra (2022) - premiered by the RCM Symphony Orchestra, conducted by Daniel Hogan
Waterfall Night for Violin & Orchestra (2022) - premiered by Maxence Bretel & the RCM Philharmonic, conducted by Alex Mackinder
Large Ensemble
Bezier for 18 Clarinets and Percussion (2023) - premiered by the RCM Clarinet deparment, conducted by Anian Wiedner
The Wave for Wind Orchestra (2022) - premiered by the RCM Wind Orchestra, conducted by Natalie Murray-Beale
Chamber
somewhere nowhere for mixed quintet and electronics (2024) - premiered by the Plus-Minus Ensemble at Milton Court Concert Hall
Zackenfirn for Cello and Piano (2024) - premiered by Natalie Alfille-Cook and Vladislav Kutznetsov
Dwindling Lights for Oboe and Guitar (2022) - premiered by Dorothea Delbrück and Axel Krogness as part of the Contemporary Music in Action Series
Vocal
Gegenlicht for solo voice (2025) - premiere at the MIXTUR Festival, Barcelona 2025 by Jessi Chan
Choral - Süßer Nagel for 18 Voices (2025) - in progress, premiere October 2025
The Song of Nothing for Soprano, Bass Flute and Percussion (2025) - premiere at "The Night With" in Glasgow, September 2025
Traité de Diététique en Occitan for six voices (2024) - premiered by EXAUDI at Milton Court Concert Hall
Solo
Orgeltöne Nr. 1 & 2 for Organ (2025) - premiered by Anian Wiedner in Wimbledon/Miesbach
Michelle I for Clarinet & Electronics (2023) - premiered by Michelle Hromin as part of the Contemporary Music in Action Series
Stage/Installation
Venadas Cuernudas for amplified Double Bass and Electronic, with a Choreography by Darinka Bojorquez (2023) - premiered at The Place, with dancers from LCDS
Wonder for period instruments and Soprano, in collaboration with the Central School of Ballet (2023)
Art(efacts) of Music - a 4-hour long performance and installation in the historical instrument Museum at the Royal College of Music (2022)